360° Stories

How do the materials we have impact the art we make?

"When you're surrounded by women in math classes who are passionate about what they're studying, it makes you realize– why can't I do this too?"

How do different kinds of revolutions feed one another? How do art, culture and politics work together to form and normalize or defang the radicalism of the new order?

This cluster explores three key dimensions of South Korea: Might (its politics, military, and diplomacy), Money (its economy), and Minds (its culture).

As part of a genealogy of feminisms within the Global South, feminisms in Latin America have critically engaged with mainstream euro-centric feminist debates but also contributed theoretical, political, epistemological, and socio-cultural approaches and tools to identify, examine, interrogate, contest, and dismantle structural oppressions.

"Don’t forget that Bryn Mawr is located in a unique place where you can explore new things and widen your horizons in ways you may not expect."

This 360° combines courses from Growth and Structure of Cities, Economics, and History to assess how oil has affected our built environment as well as local and global economies.

This cluster is based on the theoretical and interdisciplinary work that suggests that humans think in the form of stories.

This 360° pulls together theoretical perspectives on comics, narration, trauma, and recovery to explore critical dimensions of the global experience of trauma, with a focus on interdisciplinary understandings of suffering and survival.

We invite students to study the history of disaster rebuilding and the impact of the built environment on art and literature as part of broader networks of interactions both in East Asia and the West.

The goal of this 360° is to unpack how meaning is made from representations of race—from artifacts in an anthropological context, to representations in literature, to how people teach and learn.

This 360 will examine that question in the context of Bryn Mawr College’s mineral collection: more than 40,000 specimens, most of which were sampled in the mid- to late-19th century.